The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 19
Who has given my loved ones to death , all of them at once , tell me - why , father
, art thou silent ? But do thou tell ... He begins with a soliloquy in which he gives
utterance to his astonishment at the behaviour of his interlocutors . Then he ...
Who has given my loved ones to death , all of them at once , tell me - why , father
, art thou silent ? But do thou tell ... He begins with a soliloquy in which he gives
utterance to his astonishment at the behaviour of his interlocutors . Then he ...
Seite 47
Overwhelmed at the sight he gives vent to his feelings of guilt . He does not
describe the body , his emotions being too strong to look at it in an objective way .
The passage is a subjective expression of feeling . Although its outer form is that
of ...
Overwhelmed at the sight he gives vent to his feelings of guilt . He does not
describe the body , his emotions being too strong to look at it in an objective way .
The passage is a subjective expression of feeling . Although its outer form is that
of ...
Seite 108
Faustus gives to thee his soul ” : oh , there it stay ' d ! Why shouldst thou not ? is
not thy soul thine own ? Then write again , “ Faustus gives to thee his soul " . ( Re
- enter Mephistophilis with the Chafer of fire . ) Mephistophilis : See , Faustus ...
Faustus gives to thee his soul ” : oh , there it stay ' d ! Why shouldst thou not ? is
not thy soul thine own ? Then write again , “ Faustus gives to thee his soul " . ( Re
- enter Mephistophilis with the Chafer of fire . ) Mephistophilis : See , Faustus ...
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Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer movements murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of Michigan |
| Digitalisiert | 3. März 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |