The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... gestic implica- tions , too . Such gestic innervation of the speech can be regarded as an extreme case of the reflexive mirror - passage : the speaker does not describe what he is doing but he suggests it by the manner in which he ...
... gestic implica- tions , too . Such gestic innervation of the speech can be regarded as an extreme case of the reflexive mirror - passage : the speaker does not describe what he is doing but he suggests it by the manner in which he ...
Seite 53
... gestic impulses . Yet his direct passages are not always effective , because he cannot entirely dispense with Senecan epic description . Some of his reflexive mirror- passages lack gestic energy . Their gestic sterility appears to be ...
... gestic impulses . Yet his direct passages are not always effective , because he cannot entirely dispense with Senecan epic description . Some of his reflexive mirror- passages lack gestic energy . Their gestic sterility appears to be ...
Seite 126
... gestic notation than in his other plays . Impulse words with a precise gestic meaning are frequent , but there is also a considerable amount of implied business . Posture and gestures are always implied when an aside is spoken . No ...
... gestic notation than in his other plays . Impulse words with a precise gestic meaning are frequent , but there is also a considerable amount of implied business . Posture and gestures are always implied when an aside is spoken . No ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery