The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
Im Buch
Ergebnisse 1-3 von 32
Seite 104
... figures of the morality play.13 Near the end he produces a special bait . He distracts Faustus , who is now seriously troubled , with the beautiful and alluring figure of Helena . ( Enter Helen again , passing over the stage between two ...
... figures of the morality play.13 Near the end he produces a special bait . He distracts Faustus , who is now seriously troubled , with the beautiful and alluring figure of Helena . ( Enter Helen again , passing over the stage between two ...
Seite 105
... figure : though she has the treacherous glamour of unreality and deception about her , she raises a genuine feeling ... figures as a proof of Faustus ' ability as a magician . Faustus complies with the request . Faustus : But such ...
... figure : though she has the treacherous glamour of unreality and deception about her , she raises a genuine feeling ... figures as a proof of Faustus ' ability as a magician . Faustus complies with the request . Faustus : But such ...
Seite 126
... figure is fonder of this form of self- revelation than Barabas himself . In his conversation with the three Jews in I. i he shows his egotistic attitude in an aside on the Turkish danger : Barabas : Nay , let ' em combat , conquer , and ...
... figure is fonder of this form of self- revelation than Barabas himself . In his conversation with the three Jews in I. i he shows his egotistic attitude in an aside on the Turkish danger : Barabas : Nay , let ' em combat , conquer , and ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery