The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 26
... fear who have naught worse to fear . She has confirmed her truth by oath ; if the oath is false , what is the worse thing she can be fearing ? Now , my heart , summon up thy craft , thy tricks , thy wiles , now all Ulysses ; truth is ...
... fear who have naught worse to fear . She has confirmed her truth by oath ; if the oath is false , what is the worse thing she can be fearing ? Now , my heart , summon up thy craft , thy tricks , thy wiles , now all Ulysses ; truth is ...
Seite 27
... fear or terror . When Oedi- pus learns about his crime he says ( Seneca , Oedipus 659 f . ) : Oedipus : Et ossa et artus gelidus invasit tremor ; quidquid timebam facere fecisse arguor An icy chill has crept through my bones and limbs ...
... fear or terror . When Oedi- pus learns about his crime he says ( Seneca , Oedipus 659 f . ) : Oedipus : Et ossa et artus gelidus invasit tremor ; quidquid timebam facere fecisse arguor An icy chill has crept through my bones and limbs ...
Seite 145
... fear . In spite of the dissembler's show of sympathy he feels that the end is near : Edward : Still fear I , and I know not what's the cause , But every joint shakes as I give it thee . V. v . 84 He gives Lightborn a jewel , hoping to ...
... fear . In spite of the dissembler's show of sympathy he feels that the end is near : Edward : Still fear I , and I know not what's the cause , But every joint shakes as I give it thee . V. v . 84 He gives Lightborn a jewel , hoping to ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery