The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 30
... fantasy ex- pressionism has a special purpose : it reflects the intensity of her passion . Clearly expressionism is applied best in indirect , imaginary mirror - passages ; it is far less suitable in direct references to stage events ...
... fantasy ex- pressionism has a special purpose : it reflects the intensity of her passion . Clearly expressionism is applied best in indirect , imaginary mirror - passages ; it is far less suitable in direct references to stage events ...
Seite 44
... fantasy . Later Gismond's reception of her lover's heart in a golden cup is staged ( V. ii . 1 ff . ) . In a long lament she refers several times to her tears . Then her sorrow leads to a reaction which deeply shocks even her cruel ...
... fantasy . Later Gismond's reception of her lover's heart in a golden cup is staged ( V. ii . 1 ff . ) . In a long lament she refers several times to her tears . Then her sorrow leads to a reaction which deeply shocks even her cruel ...
Seite 146
... fantasy becomes connected with the reality of the scene , and the royal flag is turned into a token of revenge . In Tam- burlaine , too , Marlowe uses colour symbolism of this kind ( cf. p . 96 ) . The more he suffers the less Edward ...
... fantasy becomes connected with the reality of the scene , and the royal flag is turned into a token of revenge . In Tam- burlaine , too , Marlowe uses colour symbolism of this kind ( cf. p . 96 ) . The more he suffers the less Edward ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery