The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 69
... fall . Belimperia : O let me go , for in my troubled eyes Now may'st thou read that life in passion dies . Horatio : O stay awhile and I will die with thee , So shalt thou yield and yet have conquer'd me . Belimperia : Who's there ...
... fall . Belimperia : O let me go , for in my troubled eyes Now may'st thou read that life in passion dies . Horatio : O stay awhile and I will die with thee , So shalt thou yield and yet have conquer'd me . Belimperia : Who's there ...
Seite 110
... Fall to , the devil choke you an you spare . Pope : How now ? Who's that which spake ? —Friars , look about . Friar : Here's nobody , if it like your Holiness . Pope : Lord Raymond , pray fall to . I am beholding To the Bishop of Milan ...
... Fall to , the devil choke you an you spare . Pope : How now ? Who's that which spake ? —Friars , look about . Friar : Here's nobody , if it like your Holiness . Pope : Lord Raymond , pray fall to . I am beholding To the Bishop of Milan ...
Seite 126
... fall has a symbolic function in the play as a whole . It drives home the moral lesson that the villain is caught in his own trap . His cries are all in vain : Barabas : O , help me , Selim ! help me , Christians ! Governor , why stand ...
... fall has a symbolic function in the play as a whole . It drives home the moral lesson that the villain is caught in his own trap . His cries are all in vain : Barabas : O , help me , Selim ! help me , Christians ! Governor , why stand ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery