The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 17
... face away , and holds uncertain course . Thyestes is described by a threefold statement . His gait is unwilling , his face is averted , and he changes his direction . His movements show that he is afraid of approaching his brother's ...
... face away , and holds uncertain course . Thyestes is described by a threefold statement . His gait is unwilling , his face is averted , and he changes his direction . His movements show that he is afraid of approaching his brother's ...
Seite 19
... face and hide with veiling robe the tears that suddenly o'erflow thy cheeks ? Using the same simple gestures as Theseus and Amphitryon , the " actress " Phae- dra here simulates an outburst of tears . " 18 Seneca mirrors also more ...
... face and hide with veiling robe the tears that suddenly o'erflow thy cheeks ? Using the same simple gestures as Theseus and Amphitryon , the " actress " Phae- dra here simulates an outburst of tears . " 18 Seneca mirrors also more ...
Seite 41
... face which els the eye should see . Even so your irefull minde with stirred thought , Can not so perfectly discerne my cause . IV . ii . 35 This is how porrex opens his plea . He expresses his concern with the murder of his brother ...
... face which els the eye should see . Even so your irefull minde with stirred thought , Can not so perfectly discerne my cause . IV . ii . 35 This is how porrex opens his plea . He expresses his concern with the murder of his brother ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery