The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
Im Buch
Ergebnisse 1-3 von 25
Seite 10
... ENTRANCES AND EXITS In contriving his entrances and exits a playwright faces a particular technical problem . Whenever a new character appears on stage , he must be introduced to the spectator or the reader . If the stage is empty he ...
... ENTRANCES AND EXITS In contriving his entrances and exits a playwright faces a particular technical problem . Whenever a new character appears on stage , he must be introduced to the spectator or the reader . If the stage is empty he ...
Seite 54
Renate Stamm. Entrances and Excits : Entrances are mirrored by references that lack any descrip- tion : Councellor : Behold , I see him now aggresse and enter into place ! 3 75 The remark is rather clumsy , for it says the same thing ...
Renate Stamm. Entrances and Excits : Entrances are mirrored by references that lack any descrip- tion : Councellor : Behold , I see him now aggresse and enter into place ! 3 75 The remark is rather clumsy , for it says the same thing ...
Seite 62
... Entrances and Exits : After the exposition of the play has been given by the so- called Chorus ( the Ghost of Andrea and Revenge ) , the play proper starts like this : 2 ( Enter Spanish King , General , Castile , Hieronimo . ) King ...
... Entrances and Exits : After the exposition of the play has been given by the so- called Chorus ( the Ghost of Andrea and Revenge ) , the play proper starts like this : 2 ( Enter Spanish King , General , Castile , Hieronimo . ) King ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery