The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 10
... ENTRANCES AND EXITS In contriving his entrances and exits a playwright faces a particular technical problem . Whenever a new character appears on stage , he must be introduced to the spectator or the reader . If the stage is empty he ...
... ENTRANCES AND EXITS In contriving his entrances and exits a playwright faces a particular technical problem . Whenever a new character appears on stage , he must be introduced to the spectator or the reader . If the stage is empty he ...
Seite 54
Renate Stamm. Entrances and Excits : Entrances are mirrored by references that lack any descrip- tion : Councellor : Behold , I see him now aggresse and enter into place ! 3 75 The remark is rather clumsy , for it says the same thing ...
Renate Stamm. Entrances and Excits : Entrances are mirrored by references that lack any descrip- tion : Councellor : Behold , I see him now aggresse and enter into place ! 3 75 The remark is rather clumsy , for it says the same thing ...
Seite 62
... Entrances and Exits : After the exposition of the play has been given by the so- called Chorus ( the Ghost of Andrea and Revenge ) , the play proper starts like this : 2 ( Enter Spanish King , General , Castile , Hieronimo . ) King ...
... Entrances and Exits : After the exposition of the play has been given by the so- called Chorus ( the Ghost of Andrea and Revenge ) , the play proper starts like this : 2 ( Enter Spanish King , General , Castile , Hieronimo . ) King ...
Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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1817 LIBRARIES Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character CHIGAN Christopher Marlowe comic crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor MICHIGAN mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright posture Queen references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades UNIV utters villain vision visual word-scenery Zenocrate Zenocrate's