The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 7
... elements covered by the theatrical notation , we follow a different aim . We regard these elements as parts of the structure and meaning of the play , parts so essential that the neglect of them must lead to mis- understanding in a ...
... elements covered by the theatrical notation , we follow a different aim . We regard these elements as parts of the structure and meaning of the play , parts so essential that the neglect of them must lead to mis- understanding in a ...
Seite 37
... elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a middle position between subject - matter and form : they are the stock characters of the nurse and the messenger ...
... elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a middle position between subject - matter and form : they are the stock characters of the nurse and the messenger ...
Seite 83
... elements presented in the mirror - passages are thus given a very definite dramatic function . When the enemies arrive at last , the short and nervous utterances of Tamburlaine express his excitement and tension . All the other ...
... elements presented in the mirror - passages are thus given a very definite dramatic function . When the enemies arrive at last , the short and nervous utterances of Tamburlaine express his excitement and tension . All the other ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery