The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 30
... described not at the moment when it takes place but beforehand . As the passage is of special force it sticks in the reader's or the hearer's mind and is remembered when the messenger reports that the event has taken place . While ...
... described not at the moment when it takes place but beforehand . As the passage is of special force it sticks in the reader's or the hearer's mind and is remembered when the messenger reports that the event has taken place . While ...
Seite 33
... described in an epic manner . The picture is detailed ; it includes even the sky . The passage is an example of pure word - scenery : it is impossible— and certainly not the author's intention - to reproduce it by concrete scenery on ...
... described in an epic manner . The picture is detailed ; it includes even the sky . The passage is an example of pure word - scenery : it is impossible— and certainly not the author's intention - to reproduce it by concrete scenery on ...
Seite 45
... described in mirror - passages , matches the prospective report of the nurse . Con- trary to this , Gismond does not enter the stage immediately afterwards ; when she finally appears , she has so much self - control that she is able to ...
... described in mirror - passages , matches the prospective report of the nurse . Con- trary to this , Gismond does not enter the stage immediately afterwards ; when she finally appears , she has so much self - control that she is able to ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery