The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 53
... death . Here descrip- tion is no longer objective , but well integrated in a subjective and spontaneous utterance ... Death , his one good deede of execution , after that , many wicked deedes and tyrannous murders committed by and ...
... death . Here descrip- tion is no longer objective , but well integrated in a subjective and spontaneous utterance ... Death , his one good deede of execution , after that , many wicked deedes and tyrannous murders committed by and ...
Seite 80
... death ( 12 ) , he echoes Horatio's own words . In his lament he refers to the darkness , too , which now has but the one terrifying connotation of death ( " amidst this dark and deathful shades " ( 22 ) ) . In his last sentence the word ...
... death ( 12 ) , he echoes Horatio's own words . In his lament he refers to the darkness , too , which now has but the one terrifying connotation of death ( " amidst this dark and deathful shades " ( 22 ) ) . In his last sentence the word ...
Seite 98
... Death with bearing souls to hell . V. iii . 67 The approach of death is here described more dramatically than it is in the first part when Cosroe meets his end ( p . 96 ) . What Tamburlaine sees cannot be called a fantasy ; it has the ...
... Death with bearing souls to hell . V. iii . 67 The approach of death is here described more dramatically than it is in the first part when Cosroe meets his end ( p . 96 ) . What Tamburlaine sees cannot be called a fantasy ; it has the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery