The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 13
... character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at this particular moment she should appear frightened and cannot pos- sibly deliver a report which begins with an epic simile . The ...
... character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at this particular moment she should appear frightened and cannot pos- sibly deliver a report which begins with an epic simile . The ...
Seite 21
... character , whereas a reflexive passage can express primarily the speaker's inner feelings . Seneca generally respects this difference , though he is not always consistent : we have found the remark " faintness dulls his vision " in a ...
... character , whereas a reflexive passage can express primarily the speaker's inner feelings . Seneca generally respects this difference , though he is not always consistent : we have found the remark " faintness dulls his vision " in a ...
Seite 35
... character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case ... character in the play but he serves as a mouthpiece of the author . He may sud- denly change from a direct address in ...
... character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case ... character in the play but he serves as a mouthpiece of the author . He may sud- denly change from a direct address in ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery