The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 13
... behaviour . The change in her speech from direct address to objective description is abrupt . She suddenly loses her identity as a character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at ...
... behaviour . The change in her speech from direct address to objective description is abrupt . She suddenly loses her identity as a character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at ...
Seite 19
... behaviour of his interlocutors . Then he addresses them , asking them to stop crying and to speak their mind . Their silence makes him entreat with more urgent words . Re- alizing at last that he cannot prevail on them , he sums up ...
... behaviour of his interlocutors . Then he addresses them , asking them to stop crying and to speak their mind . Their silence makes him entreat with more urgent words . Re- alizing at last that he cannot prevail on them , he sums up ...
Seite 139
... behaviour at the parting demonstrates again his passion for the young man . " The relation between Edward and Gaveston is mirrored also by the nobles : Lancaster : Thus , arm in arm , the king and he doth march : ... Warwick : Thus ...
... behaviour at the parting demonstrates again his passion for the young man . " The relation between Edward and Gaveston is mirrored also by the nobles : Lancaster : Thus , arm in arm , the king and he doth march : ... Warwick : Thus ...
Inhalt
ENGLISH | 9 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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1817 LIBRARIES Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character CHIGAN Christopher Marlowe comic crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor MICHIGAN mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright posture Queen references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades UNIV utters villain vision visual word-scenery Zenocrate Zenocrate's