The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 53
... beginning of his kingdome unto his Death , his one good deede of execution , after that , many wicked deedes and tyrannous murders committed by and through him , and last of all , his odious death by Gods Iustice appointed , Done in ...
... beginning of his kingdome unto his Death , his one good deede of execution , after that , many wicked deedes and tyrannous murders committed by and through him , and last of all , his odious death by Gods Iustice appointed , Done in ...
Seite 121
... beginning of a revenge tragedy : the malice of the Christians could change Barabas ' lust of wealth into the lust of revenge . In I. ii . 209 he says : “ Great injuries are not so soon forgot " . Yet in his self - characterization in ...
... beginning of a revenge tragedy : the malice of the Christians could change Barabas ' lust of wealth into the lust of revenge . In I. ii . 209 he says : “ Great injuries are not so soon forgot " . Yet in his self - characterization in ...
Seite 130
... beginning are already executed at its end . It also contains a change of place . The beginning of the scene presents a meeting of the governor with Calymath . The place of this meeting is not mentioned in a simultaneous reference , but ...
... beginning are already executed at its end . It also contains a change of place . The beginning of the scene presents a meeting of the governor with Calymath . The place of this meeting is not mentioned in a simultaneous reference , but ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery