The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 24
... arms . Hippolytus ' words suggest that he makes some kind of defensive movement in order to stop her . ( What ? Even rush into my arms ! ) . With his right hand he then pulls out his sword . With his left hand he forces her into the ...
... arms . Hippolytus ' words suggest that he makes some kind of defensive movement in order to stop her . ( What ? Even rush into my arms ! ) . With his right hand he then pulls out his sword . With his left hand he forces her into the ...
Seite 69
... arms are large and strong withal : Thus elms by vines are compass'd till they fall . Belimperia : O let me go , for ... arm against arm , foot against foot . Then there is a change to the reflexive mirror - technique , which implies a ...
... arms are large and strong withal : Thus elms by vines are compass'd till they fall . Belimperia : O let me go , for ... arm against arm , foot against foot . Then there is a change to the reflexive mirror - technique , which implies a ...
Seite 108
... arm . Surely it is a much more effective omen if , at the crucial moment , the blood congeals on Faustus ' arm itself , not in the saucer . It then has the force of a physiological event : Faustus ' body refuses its service at so ...
... arm . Surely it is a much more effective omen if , at the crucial moment , the blood congeals on Faustus ' arm itself , not in the saucer . It then has the force of a physiological event : Faustus ' body refuses its service at so ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery