The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 18
... Action The mirroring of action is the most far - reaching kind of theatrical notation . Action , in Seneca's plays , is rarely the outcome of a person's will . Usually it is un- controlled , which means that it is an expression of ...
... Action The mirroring of action is the most far - reaching kind of theatrical notation . Action , in Seneca's plays , is rarely the outcome of a person's will . Usually it is un- controlled , which means that it is an expression of ...
Seite 24
... Action In denoting action Seneca may use the dramatic means of the gestic impulse . It appears for instance in a scene between Phaedra and Hippolytus ( Seneca , Hippo- lytus 702 ff . ) : Phaedra : quacumque gressus tuleris hac amens ...
... Action In denoting action Seneca may use the dramatic means of the gestic impulse . It appears for instance in a scene between Phaedra and Hippolytus ( Seneca , Hippo- lytus 702 ff . ) : Phaedra : quacumque gressus tuleris hac amens ...
Seite 58
... action at the moment it happens but it works retro- spectively and prospectively . The gestic innervation of speech is a much better means , for it coordinates the action with the speech in the closest possible way.16 For the ...
... action at the moment it happens but it works retro- spectively and prospectively . The gestic innervation of speech is a much better means , for it coordinates the action with the speech in the closest possible way.16 For the ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery