The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 37
... Senecan features.1 Among them he stressed aspects of Senecan thought , such as fatalism and stoicism , but formal elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a ...
... Senecan features.1 Among them he stressed aspects of Senecan thought , such as fatalism and stoicism , but formal elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a ...
Seite 52
... Senecan characters he projects his inner trouble on the outside . The pathetic fallacy is particularly effective here because it works by colour - symbolism ( red - black ) . Renuchio is even pursued by a vision : he sees a ghost - like ...
... Senecan characters he projects his inner trouble on the outside . The pathetic fallacy is particularly effective here because it works by colour - symbolism ( red - black ) . Renuchio is even pursued by a vision : he sees a ghost - like ...
Seite 74
... Senecan metaphor of the ship being tossed about by the storm.20 More frequent is the subjective expression of emotion . Entering the bower in which Horatio will be murdered , Belimperia says : Belimperia : I follow thee my love , and ...
... Senecan metaphor of the ship being tossed about by the storm.20 More frequent is the subjective expression of emotion . Entering the bower in which Horatio will be murdered , Belimperia says : Belimperia : I follow thee my love , and ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery