The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 11
... Medea 176 ff . ) : Medea : Fortuna opes auferre , non animum potest . — sed cuius ictu regius cardo strepit ? ipse est Pelasgo tumidus imperio Creo . - Fortune can take away my wealth , but not my spirit . But under whose blows does the ...
... Medea 176 ff . ) : Medea : Fortuna opes auferre , non animum potest . — sed cuius ictu regius cardo strepit ? ipse est Pelasgo tumidus imperio Creo . - Fortune can take away my wealth , but not my spirit . But under whose blows does the ...
Seite 25
... Medea realizes how much Jason loves his children she says ( Seneca , Medea 549 ff . ) : Medea : Sic natos amat ? bene est , tenetur , vulneri patuit locus . - suprema certe liceat abeuntem loqui mandata , .. Thus does he love his sons ...
... Medea realizes how much Jason loves his children she says ( Seneca , Medea 549 ff . ) : Medea : Sic natos amat ? bene est , tenetur , vulneri patuit locus . - suprema certe liceat abeuntem loqui mandata , .. Thus does he love his sons ...
Seite 26
... Medea per- forms her magic rites in preparing the poison for Creusa . Here Medea records her action in every detail , in prospective , simultaneous , and even retrospective references ( Medea 797 ff . ) . A small part of this " scene ...
... Medea per- forms her magic rites in preparing the poison for Creusa . Here Medea records her action in every detail , in prospective , simultaneous , and even retrospective references ( Medea 797 ff . ) . A small part of this " scene ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery