The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Ergebnisse 1-3 von 7
Seite 123
... Mathias sees Abigail in the company of Lodowick : ( Enter Lodowick and Abigail . ) Mathias : What , hand in hand ! I cannot suffer this . II . iii . 277 Barabas now takes sides with Mathias , promising his daughter to him : Barabas : Lo ...
... Mathias sees Abigail in the company of Lodowick : ( Enter Lodowick and Abigail . ) Mathias : What , hand in hand ! I cannot suffer this . II . iii . 277 Barabas now takes sides with Mathias , promising his daughter to him : Barabas : Lo ...
Seite 126
... Mathias , Barabas begins by making promises to Lodowick . When he meets Mathias with his mother in the market - place , he tries to inveigle Mathias in the same way : ( Enter Mathias and Katherine . ) Mathias : What makes the Jew and ...
... Mathias , Barabas begins by making promises to Lodowick . When he meets Mathias with his mother in the market - place , he tries to inveigle Mathias in the same way : ( Enter Mathias and Katherine . ) Mathias : What makes the Jew and ...
Seite 127
... Mathias , is not that the Jew ? Barabas : As for the comment on the Maccabees , I have it , sir , and ' tis at your command . Mathias : Yes , madam , and my talk with him was ( but ) About the borrowing of a book or two . Katherine ...
... Mathias , is not that the Jew ? Barabas : As for the comment on the Maccabees , I have it , sir , and ' tis at your command . Mathias : Yes , madam , and my talk with him was ( but ) About the borrowing of a book or two . Katherine ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery