The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 69
... Horatio : Then thus begin our wars : put forth thy hand , That it may combat with my ruder hand . Belimperia : Set forth thy foot to try the push of mine . Horatio : But first my looks shall combat against thine . Belimperia : Then ward ...
... Horatio : Then thus begin our wars : put forth thy hand , That it may combat with my ruder hand . Belimperia : Set forth thy foot to try the push of mine . Horatio : But first my looks shall combat against thine . Belimperia : Then ward ...
Seite 74
... Horatio in a passage which is an elaboration on the Senecan metaphor of the ship being tossed about by the storm.20 More frequent is the subjective expression of emotion . Entering the bower in which Horatio will be murdered ...
... Horatio in a passage which is an elaboration on the Senecan metaphor of the ship being tossed about by the storm.20 More frequent is the subjective expression of emotion . Entering the bower in which Horatio will be murdered ...
Seite 79
... Horatio : Now that the night begins with sable wings To overcloud the brightness of the sun , And that in darkness pleasures may be done , Come Bel - imperia , let us to the bower , And there in safety pass a pleasant hour . Belimperia ...
... Horatio : Now that the night begins with sable wings To overcloud the brightness of the sun , And that in darkness pleasures may be done , Come Bel - imperia , let us to the bower , And there in safety pass a pleasant hour . Belimperia ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery