The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 72
... Hieronimo cannot act as quickly as he would like . When he meets the Senex Bazulto , he is reminded of his injury by the parallel fate of this petitioner . The handkerchief now re- appears in a most unexpected way . Hieronimo tries to ...
... Hieronimo cannot act as quickly as he would like . When he meets the Senex Bazulto , he is reminded of his injury by the parallel fate of this petitioner . The handkerchief now re- appears in a most unexpected way . Hieronimo tries to ...
Seite 76
... Hieronimo , in his thirst for revenge , conjures up fantasies of the underworld : Hieronimo : Though on this earth justice will not be found , I'll down to hell , and in this passion Knock at the dismal gates of Pluto's court , Getting ...
... Hieronimo , in his thirst for revenge , conjures up fantasies of the underworld : Hieronimo : Though on this earth justice will not be found , I'll down to hell , and in this passion Knock at the dismal gates of Pluto's court , Getting ...
Seite 77
... Hieronimo's pas- sion now turns into real madness . Vision : Hieronimo's passion for revenge even causes a vision . When he reenters after the scene quoted above , he is faced by the old man Bazulto : ( Bazulto remains till Hieronimo ...
... Hieronimo's pas- sion now turns into real madness . Vision : Hieronimo's passion for revenge even causes a vision . When he reenters after the scene quoted above , he is faced by the old man Bazulto : ( Bazulto remains till Hieronimo ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery