The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 136
... Gaveston's banish- ment , the King , Gaveston , and Kent enter the room of their meeting . Edward goes to his royal seat , and , to the astonishment of the nobles , Gaveston takes the seat next to him , thus pretending to a special ...
... Gaveston's banish- ment , the King , Gaveston , and Kent enter the room of their meeting . Edward goes to his royal seat , and , to the astonishment of the nobles , Gaveston takes the seat next to him , thus pretending to a special ...
Seite 137
... Gaveston with him in Eng- land , the nobles express their disagreement quite plainly : Edward : Frownst thou thereat , aspiring Lancaster ? The sword shall plane the furrows of thy brows , And hew these knees that now are grown so stiff ...
... Gaveston with him in Eng- land , the nobles express their disagreement quite plainly : Edward : Frownst thou thereat , aspiring Lancaster ? The sword shall plane the furrows of thy brows , And hew these knees that now are grown so stiff ...
Seite 139
... Gaveston is mirrored several times . The first meeting of the two is a happy event : Gaveston : I can no longer keep me from my lord . ( Comes forward . ) Edward : What , Gaveston ! welcome ! -Kiss not my hand , Embrace me , Gaveston ...
... Gaveston is mirrored several times . The first meeting of the two is a happy event : Gaveston : I can no longer keep me from my lord . ( Comes forward . ) Edward : What , Gaveston ! welcome ! -Kiss not my hand , Embrace me , Gaveston ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery