The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Ergebnisse 1-3 von 8
Seite 119
... Abigail . Abigail : Then , father , go with me . Barabas : No , Abigail , in this It is not necessary I be seen : For I will seem offended with thee for't : Be close , my girl , for this must fetch my gold . I. ii . 296 With the words ...
... Abigail . Abigail : Then , father , go with me . Barabas : No , Abigail , in this It is not necessary I be seen : For I will seem offended with thee for't : Be close , my girl , for this must fetch my gold . I. ii . 296 With the words ...
Seite 122
... Abigail is the only figure in the play whose face responds to her feelings . When she follows her father's advice in feigning to accept Lodowick as a suitor , her emotions appear on her face : Lodowick : Then , gentle Abigail , plight ...
... Abigail is the only figure in the play whose face responds to her feelings . When she follows her father's advice in feigning to accept Lodowick as a suitor , her emotions appear on her face : Lodowick : Then , gentle Abigail , plight ...
Seite 123
... Abigail to fetch the money out of the nunnery ( I. ii . 284 ff . ) . Abigail receives precise instructions how to behave . She acts accordingly ( 313 ff . ) , and the enterprise is successful . In the night she throws the money down ...
... Abigail to fetch the money out of the nunnery ( I. ii . 284 ff . ) . Abigail receives precise instructions how to behave . She acts accordingly ( 313 ff . ) , and the enterprise is successful . In the night she throws the money down ...
Inhalt
Introduction | 7 |
B The MirrorPassages within the Scene | 14 |
The WordScenery | 33 |
Urheberrecht | |
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse inner introduced Isabella kind king later looks lord manner Marlowe Mathias means mentioned Mephistopheles MICHIGAN mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn UNIVERSITY utters vision visual word-scenery