The dramatic works of William Shakspeare, from the text of Johnson, Stevens [sic] and Reed, with glossarial notes, his life, and a critique on his genius & writings by N. Rowe |
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... scene , which ends in " gin and peppermint . " Scene II . - Charley Grey and Mack . Ebony , the boot black . Ebony's advice . Guy Lester , the octoroon . Toomstone quiet . " Slaves , runaway niggers . " Ebony keeps his eyes open . Scene ...
... scene , which ends in " gin and peppermint . " Scene II . - Charley Grey and Mack . Ebony , the boot black . Ebony's advice . Guy Lester , the octoroon . Toomstone quiet . " Slaves , runaway niggers . " Ebony keeps his eyes open . Scene ...
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... Scène 23 Dies ist der zehnte Band der Reihe » Scène «, den wir, Leyla-Claire Rabih und Frank Weigand, gemeinsam herausgeben. Als Zusammenarbeit zwischen einer franko-syrischen Übersetzerin und Regisseurin, die sowohl im deutsch- als ...
... Scène 23 Dies ist der zehnte Band der Reihe » Scène «, den wir, Leyla-Claire Rabih und Frank Weigand, gemeinsam herausgeben. Als Zusammenarbeit zwischen einer franko-syrischen Übersetzerin und Regisseurin, die sowohl im deutsch- als ...
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S S. Bodkin. CONTENTS . Page . A SCENE AT MANCHESTER A SCENE IN A THEATRE 7 10 A SCENE AT HIGHGATE . 13 A SCENE IN WESTMORELAND 16 A SCENE IN ST . MARTIN'S HALL . 18 A SCENE AT JOPPA A SCENE IN CLERKENWELL A SCENE AT THE CRYSTAL PALACE . A ...
S S. Bodkin. CONTENTS . Page . A SCENE AT MANCHESTER A SCENE IN A THEATRE 7 10 A SCENE AT HIGHGATE . 13 A SCENE IN WESTMORELAND 16 A SCENE IN ST . MARTIN'S HALL . 18 A SCENE AT JOPPA A SCENE IN CLERKENWELL A SCENE AT THE CRYSTAL PALACE . A ...
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Gabriel Fauré. PÉNÉLOPE TABLE PRÉLUDE . SCÈNE I. LES SERVANTES FILEUSES . - SCÈNE II . LES PRÉTENDANTS . - SCÈNE III . EURYCLÉE - ACTE I SCÈNE IV . - PÉNÉLOPE : Jadis quand on aimait . ANTINOUS : Reine , nous prosternons à tes genoux ...
Gabriel Fauré. PÉNÉLOPE TABLE PRÉLUDE . SCÈNE I. LES SERVANTES FILEUSES . - SCÈNE II . LES PRÉTENDANTS . - SCÈNE III . EURYCLÉE - ACTE I SCÈNE IV . - PÉNÉLOPE : Jadis quand on aimait . ANTINOUS : Reine , nous prosternons à tes genoux ...
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... SCENE III . Holyrood . SCENE IV . The Presence Chamber SCENE V. The Same . • March 9 , 1566 . • March 12 , 1566 . • March 20 , 1566 . ACT II SCENE I. Whittinghame • January 20 , 1567 . SCENE II . The Canongate , Edinburgh · February 10 ...
... SCENE III . Holyrood . SCENE IV . The Presence Chamber SCENE V. The Same . • March 9 , 1566 . • March 12 , 1566 . • March 20 , 1566 . ACT II SCENE I. Whittinghame • January 20 , 1567 . SCENE II . The Canongate , Edinburgh · February 10 ...
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Alençon arms art thou Banquo Bardolph bear better Biron blood Boyet brother Claud Claudio cousin daughter dear death doth ducats Duke Enter Exeunt Exit eyes fair Falstaff father fear fool Ford France gentle gentleman give grace hand hath hear heart heaven Hermia hither honour Isab Kath king knave lady Laun Leon Leonato live look lord Lucio Macb Macbeth Macd madam maid majesty Malvolio marry master master doctor mistress Moth never night noble Northumberland pardon peace Pedro Petruchio Pist Poins Pompey pr'ythee pray prince Proteus queen Re-enter Reignier SCENE Shal shame signior Sir John Sir John Falstaff soul speak swear sweet sword tell thee there's thine thing thou art thou hast thou shalt Thurio tongue true unto What's wife wilt word
Beliebte Passagen
Seite 193 - Jew. Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? If we are like you in the rest, we will resemble you in that.
Seite 328 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going ; And such an instrument I was to use. Mine eyes are made the fools o...
Seite 396 - I'll sup. Farewell. Poins. Farewell, my lord. [Exit POINS. P. Hen. I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds ' To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours, that did seem to strangle him.
Seite 327 - He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties...
Seite 172 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Seite 199 - It blesseth him that gives and him that takes. Tis mightiest in the mightiest; it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.