The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
Im Buch
Ergebnisse 1-5 von 100
Seite x
... Whole and the Parts - 115 . Importance of attending first to the Whole - 116 . In criticising Architecture , Sculpture and Painting 117. ' Breadth ' and its artistic significance - 118 . The value of the ' Play of Surface ' as against ...
... Whole and the Parts - 115 . Importance of attending first to the Whole - 116 . In criticising Architecture , Sculpture and Painting 117. ' Breadth ' and its artistic significance - 118 . The value of the ' Play of Surface ' as against ...
Seite 3
... whole faculties of the human creature are bound up under the pressure of his surroundings . ' What is man ' he asks , ' before beauty draws out in him the capacity for free enjoyment , and the serene Form tames the wildness of life ...
... whole faculties of the human creature are bound up under the pressure of his surroundings . ' What is man ' he asks , ' before beauty draws out in him the capacity for free enjoyment , and the serene Form tames the wildness of life ...
Seite 11
... - stands by it harmony , order , the ` co - relation of all the parts into a single whole . ' 1 In the series Bibliothèque de Philosophie Contemporaine , Paris , 1869 , p . vi . f . § 9. The element of Order is wanting in the.
... - stands by it harmony , order , the ` co - relation of all the parts into a single whole . ' 1 In the series Bibliothèque de Philosophie Contemporaine , Paris , 1869 , p . vi . f . § 9. The element of Order is wanting in the.
Seite 16
... whole into parts , after a rhythmical interchange of form and void , so that a progress is set on foot that never ceases till it culminates in the Greek temple , the most perfect embodiment of the principle of ' Order ' in all the ...
... whole into parts , after a rhythmical interchange of form and void , so that a progress is set on foot that never ceases till it culminates in the Greek temple , the most perfect embodiment of the principle of ' Order ' in all the ...
Seite 25
... whole spirit of the art is opposed to the idea of complete sub- ordination to utility . As a matter of fact , a glance at the early history of the art in Egypt , Babylonia and Greece , during those all - important periods when so many ...
... whole spirit of the art is opposed to the idea of complete sub- ordination to utility . As a matter of fact , a glance at the early history of the art in Egypt , Babylonia and Greece , during those all - important periods when so many ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole