The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 16
... walls of the arched passage with their projecting forks outwards , 1 or to line the interior with grasses 2 so that there is nothing to catch the plumage of the loving pair when they strut proudly through ! For the action of an impulse ...
... walls of the arched passage with their projecting forks outwards , 1 or to line the interior with grasses 2 so that there is nothing to catch the plumage of the loving pair when they strut proudly through ! For the action of an impulse ...
Seite 23
... , forms and objects significant of the purpose of the celebra- tion . The carved paintings or painted carvings , which Cover the walls of Egyptian temples and run as a The Festival creates the artist-24 The festal Dance among.
... , forms and objects significant of the purpose of the celebra- tion . The carved paintings or painted carvings , which Cover the walls of Egyptian temples and run as a The Festival creates the artist-24 The festal Dance among.
Seite 24
Gerard Baldwin Brown. Cover the walls of Egyptian temples and run as a dado round the rooms of Assyrian palaces , certainly do resemble textile products , and give a colour to Semper's theory . They are at any rate thoroughly festal in ...
Gerard Baldwin Brown. Cover the walls of Egyptian temples and run as a dado round the rooms of Assyrian palaces , certainly do resemble textile products , and give a colour to Semper's theory . They are at any rate thoroughly festal in ...
Seite 38
... walls of the caverns where they make their wretched lairs.2 The explanation would doubtless be the same as that suggested in § 9 for the absence of a sense of proportion among animals - the animal lacks the necessary power of ...
... walls of the caverns where they make their wretched lairs.2 The explanation would doubtless be the same as that suggested in § 9 for the absence of a sense of proportion among animals - the animal lacks the necessary power of ...
Seite 56
... wall or roof , as was the manner of the mediæval painter . But a theme the Greeks had , and a noble one — as noble in its way as that which filled his mind who sketched the Prophets and Sybils on the vault of the Sistine . For this ...
... wall or roof , as was the manner of the mediæval painter . But a theme the Greeks had , and a noble one — as noble in its way as that which filled his mind who sketched the Prophets and Sybils on the vault of the Sistine . For this ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole