The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 65
... touching every noble thing but touched herself by none . Apollo always preserves a certain scornful aristocratic purism , whether he is dealing death by his shafts , setting the Muses to dance to his lyre , or pursuing fair maids along ...
... touching every noble thing but touched herself by none . Apollo always preserves a certain scornful aristocratic purism , whether he is dealing death by his shafts , setting the Muses to dance to his lyre , or pursuing fair maids along ...
Seite 76
... touch of life ; he could recognise what was appropriate in action or gesture , what was the value in a scene of a crowded mass and the value of an isolated single figure , and in every way consolidate and make clear his artistic percep ...
... touch of life ; he could recognise what was appropriate in action or gesture , what was the value in a scene of a crowded mass and the value of an isolated single figure , and in every way consolidate and make clear his artistic percep ...
Seite 78
... touch of buffoonery . 1 Gualveneus de la Flamma , in Muratori , Rerum Italicarum Scriptores , Milan , 1728 , tom . xii . col . 1017 . 2 Romæ , 1786 , iii . p . 52 f . CHAP . III A Florentine Pageant 79 § 56. Characteristic 78 Medieval ...
... touch of buffoonery . 1 Gualveneus de la Flamma , in Muratori , Rerum Italicarum Scriptores , Milan , 1728 , tom . xii . col . 1017 . 2 Romæ , 1786 , iii . p . 52 f . CHAP . III A Florentine Pageant 79 § 56. Characteristic 78 Medieval ...
Seite 106
... touch upon the fresh plaster , and avoid returning to it when it is dry ( non ritocchino a secco ) . ' It is doubtful however if this ideal was ever quite attained to and retouching entirely dispensed with . In any case the work needed ...
... touch upon the fresh plaster , and avoid returning to it when it is dry ( non ritocchino a secco ) . ' It is doubtful however if this ideal was ever quite attained to and retouching entirely dispensed with . In any case the work needed ...
Seite 108
... touch beside touch , never going over the same ground again . So long as the pigments and the surface are wet , the tints may be laid one over the other or fused at will , and may be ' loaded ' in some parts and in others thinly spread ...
... touch beside touch , never going over the same ground again . So long as the pigments and the surface are wet , the tints may be laid one over the other or fused at will , and may be ' loaded ' in some parts and in others thinly spread ...
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Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole