The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 4
... sufficient for our purpose . When Mr. Stanley tells us that in the dress , weapons , implements , tastes of the Wahuma of the grass land by the Albert Nyanza he was constantly reminded of the representations in Wilkinson's ' Ancient ...
... sufficient for our purpose . When Mr. Stanley tells us that in the dress , weapons , implements , tastes of the Wahuma of the grass land by the Albert Nyanza he was constantly reminded of the representations in Wilkinson's ' Ancient ...
Seite 14
... sufficient power of abstraction . It is evident that for the perception of the charm of alter- nation , of the regular recurrence of complex forms , and of periodical emphasis as in the dance or song , what is needed is a certain ...
... sufficient power of abstraction . It is evident that for the perception of the charm of alter- nation , of the regular recurrence of complex forms , and of periodical emphasis as in the dance or song , what is needed is a certain ...
Seite 22
... sufficient to explain that though , naturally , its characteristic note is gladness , yet we must include under the same idea those celebrations of a mournful kind con- Festal origin of forms of Art CHAP . I nected 22 PART I The ...
... sufficient to explain that though , naturally , its characteristic note is gladness , yet we must include under the same idea those celebrations of a mournful kind con- Festal origin of forms of Art CHAP . I nected 22 PART I The ...
Seite 25
... sufficient to explain architecture as the addition of artistic form and decoration to utilitarian structures . It is true , as we shall see , that the artistic effect of architecture is intimately related to , though not always entirely ...
... sufficient to explain architecture as the addition of artistic form and decoration to utilitarian structures . It is true , as we shall see , that the artistic effect of architecture is intimately related to , though not always entirely ...
Seite 67
... sufficiently to have noted the fact that if the generalising process is carried too far , the work becomes abstract and void of interest , neither beautiful nor ideal in the best sense of the words . The comparison to pure water is ...
... sufficiently to have noted the fact that if the generalising process is carried too far , the work becomes abstract and void of interest , neither beautiful nor ideal in the best sense of the words . The comparison to pure water is ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole