The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite ix
... scenes of the Passion of Christ - 58 . The religious and secular ' Triumphs ' 59. Festal aspect of the artist's general surroundings at Flor- ence - 60 . A fourteenth - century description of the Florentine Festival of San Giovanni - 61 ...
... scenes of the Passion of Christ - 58 . The religious and secular ' Triumphs ' 59. Festal aspect of the artist's general surroundings at Flor- ence - 60 . A fourteenth - century description of the Florentine Festival of San Giovanni - 61 ...
Seite 50
... a mere incident in a scene of village jollity at vintage time , but , strangely enough , was developed 2 De Saltatione , § 62 . 1 Xenophon , Symposium , ii . 16 . CHAP . II Origin of the Drama 51 in after 50 PART I The Festival.
... a mere incident in a scene of village jollity at vintage time , but , strangely enough , was developed 2 De Saltatione , § 62 . 1 Xenophon , Symposium , ii . 16 . CHAP . II Origin of the Drama 51 in after 50 PART I The Festival.
Seite 53
... scenes of brightness and excite- ment , setting sculptor painter and architect at work on abundant and congenial tasks . § 32. Early Sculpture in its relation to the Festival . Nor were the artists slow to take advantage of their ...
... scenes of brightness and excite- ment , setting sculptor painter and architect at work on abundant and congenial tasks . § 32. Early Sculpture in its relation to the Festival . Nor were the artists slow to take advantage of their ...
Seite 55
... history of the whole Creation , are unfolded in moving scenes before the spectator . But in Greek art , they would say — apart of course from questions of sculpturesque beauty — what is there ? Single figures for the most part , either.
... history of the whole Creation , are unfolded in moving scenes before the spectator . But in Greek art , they would say — apart of course from questions of sculpturesque beauty — what is there ? Single figures for the most part , either.
Seite 56
... scenes , the same personages , are portrayed over and over again with what may at first seem wearisome iteration , it is because the great cause they represent is for ever present to the mind of both artist and public . The primary con ...
... scenes , the same personages , are portrayed over and over again with what may at first seem wearisome iteration , it is because the great cause they represent is for ever present to the mind of both artist and public . The primary con ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole