The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 11
... pigment . Works of art must have a rule of life , and he who speaks of life under- stands by it harmony , order , the ` co - relation of all the parts into a single whole . ' 1 In the series Bibliothèque de Philosophie Contemporaine ...
... pigment . Works of art must have a rule of life , and he who speaks of life under- stands by it harmony , order , the ` co - relation of all the parts into a single whole . ' 1 In the series Bibliothèque de Philosophie Contemporaine ...
Seite 95
... century , showing the inclusion of painters in the guild of the ' Speziali ' or Apothecaries , probably on account of their use of pigments classed as ' drugs . ' 8 Sacchetti , Nov. 84 . though it is early morning , the scene is a.
... century , showing the inclusion of painters in the guild of the ' Speziali ' or Apothecaries , probably on account of their use of pigments classed as ' drugs . ' 8 Sacchetti , Nov. 84 . though it is early morning , the scene is a.
Seite 96
... pigments - brown , red and yellow earths , with lime for the white , the precious ultramarine blue , for the use of which there is always a special contract , being kept under lock and key . Further on , more experienced hands are ...
... pigments - brown , red and yellow earths , with lime for the white , the precious ultramarine blue , for the use of which there is always a special contract , being kept under lock and key . Further on , more experienced hands are ...
Seite 105
... pigment which fixes it mechanically to the ground . Fresco on the other hand depends upon a chemical process by which the same result is secured without any such binding material , the pigments being simply ground down and mingled with ...
... pigment which fixes it mechanically to the ground . Fresco on the other hand depends upon a chemical process by which the same result is secured without any such binding material , the pigments being simply ground down and mingled with ...
Seite 107
... pigments would natu- rally vary somewhat according to the individuality of the painter , but a regular routine was indispensable for securing rapidity and uniformity of practice . Cennino prescribes careful and distinct outlining of ...
... pigments would natu- rally vary somewhat according to the individuality of the painter , but a regular routine was indispensable for securing rapidity and uniformity of practice . Cennino prescribes careful and distinct outlining of ...
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Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole