The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite viii
... PAINTERS §§ 48. Survival of the Festival in early Christian times - 49 . and of its influence in stimulating Art - 50 . How Christian Painting began- 51. The Florentines as representing mediæval culture and art-- 52. The Florentine ...
... PAINTERS §§ 48. Survival of the Festival in early Christian times - 49 . and of its influence in stimulating Art - 50 . How Christian Painting began- 51. The Florentines as representing mediæval culture and art-- 52. The Florentine ...
Seite ix
... Painter's Art - 89 . How the Painter is prepared for his Work - 90 . Imper- fect forms of the Graphic Art ; Line - drawing.
... Painter's Art - 89 . How the Painter is prepared for his Work - 90 . Imper- fect forms of the Graphic Art ; Line - drawing.
Seite xii
... painters - 172 , and as developed by Rembrandt and the Northerns 173. Influence of the new treatment in extending the field of Painting - 174 . especially in regard to Landscape - 175 . Summary of the foregoing - 176 . The introduction ...
... painters - 172 , and as developed by Rembrandt and the Northerns 173. Influence of the new treatment in extending the field of Painting - 174 . especially in regard to Landscape - 175 . Summary of the foregoing - 176 . The introduction ...
Seite xii
... painters — 172 . and as developed by Rembrandt and the Northerns 173. Influence of the new treatment in extending the field of Painting — 174 . especially in regard to Landscape -- 175 . Summary of the foregoing — 176 . The introduction ...
... painters — 172 . and as developed by Rembrandt and the Northerns 173. Influence of the new treatment in extending the field of Painting — 174 . especially in regard to Landscape -- 175 . Summary of the foregoing — 176 . The introduction ...
Seite 23
... painter in the earliest times was almost exclusively exercised upon tasks of this kind , and worked in close fellowship with the sculptor . Indeed the most general form of decoration in the ancient world , the painted relief , stands ...
... painter in the earliest times was almost exclusively exercised upon tasks of this kind , and worked in close fellowship with the sculptor . Indeed the most general form of decoration in the ancient world , the painted relief , stands ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole