The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite ix
... Masses - 78 . Lines in Architecture - 79 . Light - and - Shade and Texture in Architec- ture - 80 . Colour in Architecture - 81 . The elements of Effect in Sculpture distinction between Sculpture in the round and Relief -82 . The forms ...
... Masses - 78 . Lines in Architecture - 79 . Light - and - Shade and Texture in Architec- ture - 80 . Colour in Architecture - 81 . The elements of Effect in Sculpture distinction between Sculpture in the round and Relief -82 . The forms ...
Seite x
... Mass- 102. and Stability - 103 . Architectural Sublimity involves the idea of Power , and of the Supremacy of Intelligence over matter - 104 . The significance of Architectural Styles - 105 . The Esthetics of Construction in general not ...
... Mass- 102. and Stability - 103 . Architectural Sublimity involves the idea of Power , and of the Supremacy of Intelligence over matter - 104 . The significance of Architectural Styles - 105 . The Esthetics of Construction in general not ...
Seite 11
... masses are , as it were , the char- acters . If the eye is offended ; if it is asked to regard spectacles violating the laws of its sensibility , if the intelli- gence can find no common measure for the masses , if the contrasts are not ...
... masses are , as it were , the char- acters . If the eye is offended ; if it is asked to regard spectacles violating the laws of its sensibility , if the intelli- gence can find no common measure for the masses , if the contrasts are not ...
Seite 25
... mass and rock - like stability , of awful height and far - extended breadth , is certainly not the part of it that can be due to considera- tions of use . The compact economical structure is the useful structure , but in spite of what ...
... mass and rock - like stability , of awful height and far - extended breadth , is certainly not the part of it that can be due to considera- tions of use . The compact economical structure is the useful structure , but in spite of what ...
Seite 33
... masses of masonry of tower - like form , called after their Greek name ' Pylons , ' that flanked the gateway and gave the desired imposing aspect to the approach towards the shrine ( see Fig . 6 ) . § 21. and in the Temple of the Greeks ...
... masses of masonry of tower - like form , called after their Greek name ' Pylons , ' that flanked the gateway and gave the desired imposing aspect to the approach towards the shrine ( see Fig . 6 ) . § 21. and in the Temple of the Greeks ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole