The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Ergebnisse 1-5 von 74
Seite ix
... Lines in Architecture - 79 . Light - and - Shade and Texture in Architec- ture - 80 . Colour in Architecture - 81 ... Line - drawing.
... Lines in Architecture - 79 . Light - and - Shade and Texture in Architec- ture - 80 . Colour in Architecture - 81 ... Line - drawing.
Seite x
Gerard Baldwin Brown. fect forms of the Graphic Art ; Line - drawing - 91 . Representation of solid form in the Graphic Art - 92 . Graphic delineation as aided by Perspective - 93 . Aerial Perspective and its Study - 94 . Colour in the ...
Gerard Baldwin Brown. fect forms of the Graphic Art ; Line - drawing - 91 . Representation of solid form in the Graphic Art - 92 . Graphic delineation as aided by Perspective - 93 . Aerial Perspective and its Study - 94 . Colour in the ...
Seite 6
... line between man and the higher animals , and find that the latter exercise activities of this kind after much the same fashion as men , while to reach an organised creature wholly bound up in its mate- rial surroundings and wholly a ...
... line between man and the higher animals , and find that the latter exercise activities of this kind after much the same fashion as men , while to reach an organised creature wholly bound up in its mate- rial surroundings and wholly a ...
Seite 11
... lines . The ideas which these arts endeavour to express can only be made clear when they are translated into an intelligible language , of which monuments and forms and figures , lights , shades and masses are , as it were , the char ...
... lines . The ideas which these arts endeavour to express can only be made clear when they are translated into an intelligible language , of which monuments and forms and figures , lights , shades and masses are , as it were , the char ...
Seite 12
... line of demar- cation between man and the higher animals . There are , as we now see , two elements that must combine for the production of even the simplest form of art . ( 1 ) There must exist a certain raw material in the form of a ...
... line of demar- cation between man and the higher animals . There are , as we now see , two elements that must combine for the production of even the simplest form of art . ( 1 ) There must exist a certain raw material in the form of a ...
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Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole