The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 6
... kind after much the same fashion as men , while to reach an organised creature wholly bound up in its mate- rial surroundings and wholly a slave to need , we must descend pretty low in the scale of the animal creation . Mr. Herbert ...
... kind after much the same fashion as men , while to reach an organised creature wholly bound up in its mate- rial surroundings and wholly a slave to need , we must descend pretty low in the scale of the animal creation . Mr. Herbert ...
Seite 9
... kind stand to art ? ' Play ' is a feature of the life both of men and of the higher animals . Does it naturally result in every case in some form of art ? or is there an element in art in virtue of which it only appears under special ...
... kind stand to art ? ' Play ' is a feature of the life both of men and of the higher animals . Does it naturally result in every case in some form of art ? or is there an element in art in virtue of which it only appears under special ...
Seite 10
... kind , is due to little more than a physical need of setting to some kind or another of ' play ' powers which at the moment lack the stimulus of serious aims , and so far the case is parallel to that of the cat exercising on the tree ...
... kind , is due to little more than a physical need of setting to some kind or another of ' play ' powers which at the moment lack the stimulus of serious aims , and so far the case is parallel to that of the cat exercising on the tree ...
Seite 13
... kind , however well supplied they may be with the emotional excitement which leads to different forms of play . ' This limitation is one form of that difference in mental power between man and all other animals which Mr. Darwin himself ...
... kind , however well supplied they may be with the emotional excitement which leads to different forms of play . ' This limitation is one form of that difference in mental power between man and all other animals which Mr. Darwin himself ...
Seite 14
... kind between the ' play ' of the animal and that of man , it forms a fairly valid working distinction which is all that is required for the purpose of this chapter . § 10. An Illustration from the most artistic work of 6 animals . An ...
... kind between the ' play ' of the animal and that of man , it forms a fairly valid working distinction which is all that is required for the purpose of this chapter . § 10. An Illustration from the most artistic work of 6 animals . An ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole