The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 24
... imitation of nature , it assumes a monumental or commemorative character on which a word may be said in passing . It is obvious that to set up a monument to a deity or to a human being is a different thing from merely perpetuating his ...
... imitation of nature , it assumes a monumental or commemorative character on which a word may be said in passing . It is obvious that to set up a monument to a deity or to a human being is a different thing from merely perpetuating his ...
Seite 36
... Imitation for in in bodily Movement Colour Form Making Utility Song and Dance Decoration in in Colour Form ARCHITECTURE Mimic Dance PAINTING DRAMA SCULPTURE ADVANCED ARCHITECTURE TABLE OF THE BEGINNINGS OF THE ARTS OF FORM . CHAP . I ...
... Imitation for in in bodily Movement Colour Form Making Utility Song and Dance Decoration in in Colour Form ARCHITECTURE Mimic Dance PAINTING DRAMA SCULPTURE ADVANCED ARCHITECTURE TABLE OF THE BEGINNINGS OF THE ARTS OF FORM . CHAP . I ...
Seite 38
... imitation of nature , and the difficulty is hardly less when we are dealing as at present with the arts in their most rudimentary aspects . In certain forms imitation is extremely primitive , and appears in stupid animals like the sheep ...
... imitation of nature , and the difficulty is hardly less when we are dealing as at present with the arts in their most rudimentary aspects . In certain forms imitation is extremely primitive , and appears in stupid animals like the sheep ...
Seite 39
... imitation of nature plays comparatively little part in the most archaic ornamentation , but the very opposite characteristics meet the eye the moment we turn to the primitive arts of the New World . There , indications of imitative ...
... imitation of nature plays comparatively little part in the most archaic ornamentation , but the very opposite characteristics meet the eye the moment we turn to the primitive arts of the New World . There , indications of imitative ...
Seite 40
... Imitation- not in itself artistic - combines with other elements to pro- duce new forms of art . Decoration ( that is to say adorn- ment made artistic ) in colour and in form , with the addition of the imitation of nature , produces the ...
... Imitation- not in itself artistic - combines with other elements to pro- duce new forms of art . Decoration ( that is to say adorn- ment made artistic ) in colour and in form , with the addition of the imitation of nature , produces the ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole