The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite vii
... FEELINGS AND IDEALS CHAPTER I THE BEGINNINGS OF ART §§ 1. Intention and Plan of the Work - 2 . Origin of Art in free and spontaneous activity - 3 . Is there a pre - artistic state of Human Society ? -4 . The earliest races are already ...
... FEELINGS AND IDEALS CHAPTER I THE BEGINNINGS OF ART §§ 1. Intention and Plan of the Work - 2 . Origin of Art in free and spontaneous activity - 3 . Is there a pre - artistic state of Human Society ? -4 . The earliest races are already ...
Seite xii
... - Painting - 180 . The practice of Correggio and the Venetians - 181 . and of Rubens and the Flemish School -182 . The place of Technique in Modern Painting . 290-321 PART I ART AS THE EXPRESSION OF POPULAR FEELINGS AND xii Contents.
... - Painting - 180 . The practice of Correggio and the Venetians - 181 . and of Rubens and the Flemish School -182 . The place of Technique in Modern Painting . 290-321 PART I ART AS THE EXPRESSION OF POPULAR FEELINGS AND xii Contents.
Seite xiii
Gerard Baldwin Brown. PART I ART AS THE EXPRESSION OF POPULAR FEELINGS AND IDEALS CHAPTER I THE BEGINNINGS OF ART § 1. Intention and.
Gerard Baldwin Brown. PART I ART AS THE EXPRESSION OF POPULAR FEELINGS AND IDEALS CHAPTER I THE BEGINNINGS OF ART § 1. Intention and.
Seite xii
... - l nting — 180 . The practice of Correggio and the Venetians — 181 , and of Rubens and the Flemish School -182 . The place of Technique in Modern Painting 290-321 PART 1 ART AS THE EXPRESSION OF POPULAR FEELINGS AND xii Contents.
... - l nting — 180 . The practice of Correggio and the Venetians — 181 , and of Rubens and the Flemish School -182 . The place of Technique in Modern Painting 290-321 PART 1 ART AS THE EXPRESSION OF POPULAR FEELINGS AND xii Contents.
Seite 2
... feelings which only find their sphere of exercise when material needs are satisfied . Without this detachment from the yoke of necessity there can be no art , but as soon as the being is thus released a portion of its energy is at once ...
... feelings which only find their sphere of exercise when material needs are satisfied . Without this detachment from the yoke of necessity there can be no art , but as soon as the being is thus released a portion of its energy is at once ...
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Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole