The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 26
... definite period in the remote history of humanity , while others look on them as marking merely a particular stage of nascent civilisation recurring at different times among different races in all parts of the globe.1 Of their object we ...
... definite period in the remote history of humanity , while others look on them as marking merely a particular stage of nascent civilisation recurring at different times among different races in all parts of the globe.1 Of their object we ...
Seite 44
... definite cause or merely from abounding bodily vigour . The Greeks , whose special gift it was to develop to the utmost perfection of form all media of artistic expression , evolved from these beginnings a number of elaborate figure ...
... definite cause or merely from abounding bodily vigour . The Greeks , whose special gift it was to develop to the utmost perfection of form all media of artistic expression , evolved from these beginnings a number of elaborate figure ...
Seite 56
... definite form , preferred to concentrate what they desired to express in one or two figures , rather than to diffuse the interest of their theme over a vast space of wall or roof , as was the manner of the mediæval painter . But a theme ...
... definite form , preferred to concentrate what they desired to express in one or two figures , rather than to diffuse the interest of their theme over a vast space of wall or roof , as was the manner of the mediæval painter . But a theme ...
Seite 75
... definite meaning , and should play its appointed part in some larger unity . Jacob Burckhardt dwells on the superiority in this respect of Italian pageants over those that were so abundant north of the Alps , 1 and in Italy itself the ...
... definite meaning , and should play its appointed part in some larger unity . Jacob Burckhardt dwells on the superiority in this respect of Italian pageants over those that were so abundant north of the Alps , 1 and in Italy itself the ...
Seite 118
... definite contours , and architectural com- position is in the second place composition of lines . The lines of architectural masses have their own distinct char- acter . They are mainly rectilineal and have the general direction of ...
... definite contours , and architectural com- position is in the second place composition of lines . The lines of architectural masses have their own distinct char- acter . They are mainly rectilineal and have the general direction of ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole