The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Ergebnisse 1-5 von 38
Seite vii
... Dance , personal Adornment and Decoration - 14 . The Festival , and the stimulus it affords to artistic activity in various forms - 15 . The festal origin of graphic and plastic Decoration - 16 . and of monumental Sculpture — 17 . and ...
... Dance , personal Adornment and Decoration - 14 . The Festival , and the stimulus it affords to artistic activity in various forms - 15 . The festal origin of graphic and plastic Decoration - 16 . and of monumental Sculpture — 17 . and ...
Seite viii
... Dance among savages - 25 . and among modern and ancient Greeks - 26 . Char- acteristics of the ancient Dance as a form of Art - 27 . Influence of the Dance on Sculpture 28. The mimic Dances - 29 . Effect of the mimic Dances upon ...
... Dance among savages - 25 . and among modern and ancient Greeks - 26 . Char- acteristics of the ancient Dance as a form of Art - 27 . Influence of the Dance on Sculpture 28. The mimic Dances - 29 . Effect of the mimic Dances upon ...
Seite 10
... dance and song , ornamental decoration , and the mimic dance which leads on to the drama . Yet the acts as just described are not in themselves artistic . They can only become so by the addition of another essential element which the ...
... dance and song , ornamental decoration , and the mimic dance which leads on to the drama . Yet the acts as just described are not in themselves artistic . They can only become so by the addition of another essential element which the ...
Seite 13
... dance is not mere regularity , as of successive steps in the walk or the run where we have simple repetition of a single element , but rather the repetition of a series , in which several elements in combination regularly recur in the ...
... dance is not mere regularity , as of successive steps in the walk or the run where we have simple repetition of a single element , but rather the repetition of a series , in which several elements in combination regularly recur in the ...
Seite 14
... dance or song , what is needed is a certain capacity in the intelligence of holding one im- pression for a while till another comes to companion it , and then making comparison between them . The animal is either too much at the mercy ...
... dance or song , what is needed is a certain capacity in the intelligence of holding one im- pression for a while till another comes to companion it , and then making comparison between them . The animal is either too much at the mercy ...
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Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole