The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
Im Buch
Ergebnisse 1-5 von 9
Seite 213
... architrave beams - are indeed clear enough , and their form and their function agree as the theory demands . But this cannot be said of the second story of the entablature - the frieze . Absolutely necessary in the scheme of proportion ...
... architrave beams - are indeed clear enough , and their form and their function agree as the theory demands . But this cannot be said of the second story of the entablature - the frieze . Absolutely necessary in the scheme of proportion ...
Seite 214
... architrave , and as for its special forms , what use or meaning in their present position have the triglyphs and metopes ? No doubt they had once their significance , but this is only to be determined by archeo- logists , who , as a ...
... architrave , and as for its special forms , what use or meaning in their present position have the triglyphs and metopes ? No doubt they had once their significance , but this is only to be determined by archeo- logists , who , as a ...
Seite 233
... architrave contrasting with the richly - membered frieze broken into triglyphs and metopes , there is the overhang- ing cornice profiled and enriched with its mutules and drops , there are lastly the projecting string - courses plain or ...
... architrave contrasting with the richly - membered frieze broken into triglyphs and metopes , there is the overhang- ing cornice profiled and enriched with its mutules and drops , there are lastly the projecting string - courses plain or ...
Seite 234
... architrave is that of Egypt repeated . The whole is exceedingly massive , even megalithic in style . Whence come the diversifying elements in the Greek façade upon which so much of its artistic effect depends ? § 143. Transference of ...
... architrave is that of Egypt repeated . The whole is exceedingly massive , even megalithic in style . Whence come the diversifying elements in the Greek façade upon which so much of its artistic effect depends ? § 143. Transference of ...
Seite 238
... architrave is copied from three superimposed beams of timber , each projecting slightly beyond the one below.1 The recent exploration of Olympia made it plain that the Heræum , probably the oldest Greek Temple of which remains have come ...
... architrave is copied from three superimposed beams of timber , each projecting slightly beyond the one below.1 The recent exploration of Olympia made it plain that the Heræum , probably the oldest Greek Temple of which remains have come ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole