The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 162
... æsthetic idea of Sublimity - an idea , it will be observed , that certainly does not come under the head of mere ... aesthetic effect of architecture the idea of power mingles in very many cases with that of mere magnitude and mass ...
... æsthetic idea of Sublimity - an idea , it will be observed , that certainly does not come under the head of mere ... aesthetic effect of architecture the idea of power mingles in very many cases with that of mere magnitude and mass ...
Seite 200
... aesthetic grounds , but Mr. Ruskin especially praises the mighty square ' of the Palazzo Vecchio at Florence for its look of concentrated power.1 Again in all construction , though the curved form may be more beautiful in itself than ...
... aesthetic grounds , but Mr. Ruskin especially praises the mighty square ' of the Palazzo Vecchio at Florence for its look of concentrated power.1 Again in all construction , though the curved form may be more beautiful in itself than ...
Seite 221
... aesthetic value . Another important architectural form is arrived at in the process of construction with small materials such as bricks or stones , this is the arch . It is easy to construct walls and solid mounds of clay or bricks or ...
... aesthetic value . Another important architectural form is arrived at in the process of construction with small materials such as bricks or stones , this is the arch . It is easy to construct walls and solid mounds of clay or bricks or ...
Seite
... Aesthetic -Appendix B : Danish Aesthetic . THE UNIVERSITY SERIES THE USE AND ABUSE OF MONEY 3 2 THE UNIVERSITY SERIES.
... Aesthetic -Appendix B : Danish Aesthetic . THE UNIVERSITY SERIES THE USE AND ABUSE OF MONEY 3 2 THE UNIVERSITY SERIES.
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole