The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite xi
... Gothic Style 139. Construction and Beauty in the Gothic edifice - 140 . Free expression and Beauty in Gothic , independent of Construction - 141 . Summary of the foregoing · 142. Monolithic Stone Construction in relation to ...
... Gothic Style 139. Construction and Beauty in the Gothic edifice - 140 . Free expression and Beauty in Gothic , independent of Construction - 141 . Summary of the foregoing · 142. Monolithic Stone Construction in relation to ...
Seite 96
... Gothic frame for a tempera panel which has just been carefully laid in by one of the older apprentices . Beside the door some boys beginning their artistic career are rubbing down on a stone with pure water the fresco- pigments - brown ...
... Gothic frame for a tempera panel which has just been carefully laid in by one of the older apprentices . Beside the door some boys beginning their artistic career are rubbing down on a stone with pure water the fresco- pigments - brown ...
Seite 131
... Gothic cathedral , and shown by the attendant at the sacristy . This fully - painted work , where we see a wall surface , ornamental carving and a sculptured group of the Madonna and Child , all brightly tinted in greens and reds , is ...
... Gothic cathedral , and shown by the attendant at the sacristy . This fully - painted work , where we see a wall surface , ornamental carving and a sculptured group of the Madonna and Child , all brightly tinted in greens and reds , is ...
Seite 156
... Gothic , the dominant lines are vertical and the masses terminate above in upward- striving slender spires and pinnacles . Association , more- over , plays its part in our appreciation of the rounded forms presented in sculpture or in ...
... Gothic , the dominant lines are vertical and the masses terminate above in upward- striving slender spires and pinnacles . Association , more- over , plays its part in our appreciation of the rounded forms presented in sculpture or in ...
Seite 159
... Gothic builders were producing nothing but pleasing compositions of lines and masses . Temple and Cathedral were indeed purely beautiful , but besides this they were pregnant with significance , and proclaimed them- selves in every part ...
... Gothic builders were producing nothing but pleasing compositions of lines and masses . Temple and Cathedral were indeed purely beautiful , but besides this they were pregnant with significance , and proclaimed them- selves in every part ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole