The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite viii
... . How Christian Painting began- 51. The Florentines as representing mediæval culture and art-- 52. The Florentine pageant and mystery - play - 53 . Effect of these Contents ix on Art - 54 . Rehearsal of artistic viii Contents.
... . How Christian Painting began- 51. The Florentines as representing mediæval culture and art-- 52. The Florentine pageant and mystery - play - 53 . Effect of these Contents ix on Art - 54 . Rehearsal of artistic viii Contents.
Seite ix
... Florentine pageants - 57 . Dramatisation of the scenes of the Passion of Christ - 58 . The religious and secular ' Triumphs ' 59. Festal aspect of the artist's general surroundings at Flor- ence - 60 . A fourteenth - century description ...
... Florentine pageants - 57 . Dramatisation of the scenes of the Passion of Christ - 58 . The religious and secular ' Triumphs ' 59. Festal aspect of the artist's general surroundings at Flor- ence - 60 . A fourteenth - century description ...
Seite 73
... Florentine artist 2 that by painting saints both men and women he would thereby render men better and more devout . ' In this spirit the Church demanded not only stories from the Old and New Testa- ment , and from the lives of saints ...
... Florentine artist 2 that by painting saints both men and women he would thereby render men better and more devout . ' In this spirit the Church demanded not only stories from the Old and New Testa- ment , and from the lives of saints ...
Seite 74
... Florentine pageant and mystery - play . The value of the mysteries and pageants as an element in the inception and development of monumental painting can best be studied among this gifted people , who carried both forms of art to a ...
... Florentine pageant and mystery - play . The value of the mysteries and pageants as an element in the inception and development of monumental painting can best be studied among this gifted people , who carried both forms of art to a ...
Seite 78
... de la Flamma , in Muratori , Rerum Italicarum Scriptores , Milan , 1728 , tom . xii . col . 1017 . 2 Romæ , 1786 , iii . p . 52 f . CHAP . III A Florentine Pageant 79 § 56. Characteristic 78 Medieval Florence and Her Painters PART I.
... de la Flamma , in Muratori , Rerum Italicarum Scriptores , Milan , 1728 , tom . xii . col . 1017 . 2 Romæ , 1786 , iii . p . 52 f . CHAP . III A Florentine Pageant 79 § 56. Characteristic 78 Medieval Florence and Her Painters PART I.
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole