The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite 15
... fixed firmly in their places.'4 After construction follows decora- tion . These stones are spread out so as to form paved courts at each end in front of the hall of assemblage , and on these courts are disposed whole collections of ...
... fixed firmly in their places.'4 After construction follows decora- tion . These stones are spread out so as to form paved courts at each end in front of the hall of assemblage , and on these courts are disposed whole collections of ...
Seite 25
... fixed for after - time , exhibits to us architecture as far more an art of free expression than a merely utilitarian craft . The buildings which in these remote periods gave architecture the character that it has ever since retained ...
... fixed for after - time , exhibits to us architecture as far more an art of free expression than a merely utilitarian craft . The buildings which in these remote periods gave architecture the character that it has ever since retained ...
Seite 32
... fixed hut or canopy for the safe keeping of any totem , fetish or apparatus of secret mummery belonging to the local divinity . Given such a permanent struc- ture , the approach to it would be specially hallowed ground and fenced off ...
... fixed hut or canopy for the safe keeping of any totem , fetish or apparatus of secret mummery belonging to the local divinity . Given such a permanent struc- ture , the approach to it would be specially hallowed ground and fenced off ...
Seite 38
... fix the proper share that should be taken in the productions of this art by the imitation of nature , and the difficulty is hardly less when we are dealing as at present with the arts in their most rudimentary aspects . In certain forms ...
... fix the proper share that should be taken in the productions of this art by the imitation of nature , and the difficulty is hardly less when we are dealing as at present with the arts in their most rudimentary aspects . In certain forms ...
Seite 62
... fixed in literature and popu- lar belief , and also the exquisite sense of the Greeks for form , felt themselves completely satisfied , normal images resulted , to which succeeding artists adhered with lively freedom and there arose ...
... fixed in literature and popu- lar belief , and also the exquisite sense of the Greeks for form , felt themselves completely satisfied , normal images resulted , to which succeeding artists adhered with lively freedom and there arose ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole