The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite x
... first essentials of Architectural Effect ; Mass- 102. and Stability - 103 . Architectural Sublimity involves the idea of Power , and of the Supremacy of Intelligence over matter - 104 . The significance of Architectural Styles - 105 ...
... first essentials of Architectural Effect ; Mass- 102. and Stability - 103 . Architectural Sublimity involves the idea of Power , and of the Supremacy of Intelligence over matter - 104 . The significance of Architectural Styles - 105 ...
Seite xii
... first stages of the advance ; Linear Perspective - 169 . and Foreshortening - 170 . Aerial Perspective and Light - and - shade , necessary for further advance , were not fully mastered by the Italians - 171 . Light - and- shade as used ...
... first stages of the advance ; Linear Perspective - 169 . and Foreshortening - 170 . Aerial Perspective and Light - and - shade , necessary for further advance , were not fully mastered by the Italians - 171 . Light - and- shade as used ...
Seite xii
... first stages of the advance ; Linear Perspective - 169 . and Foreshortening — 170 . Aerial Perspective and Light - and - shade , necessary for further advance , were not fully mastered by the Italians — 171 . Light - andshade as used by ...
... first stages of the advance ; Linear Perspective - 169 . and Foreshortening — 170 . Aerial Perspective and Light - and - shade , necessary for further advance , were not fully mastered by the Italians — 171 . Light - andshade as used by ...
Seite 1
... first Part , art is exhibited as a spontaneous product of human nature , born before civilisation , but nurtured by civilisation to fuller growth . The second contains some general dis- cussion of the conditions of artistic effect , and ...
... first Part , art is exhibited as a spontaneous product of human nature , born before civilisation , but nurtured by civilisation to fuller growth . The second contains some general dis- cussion of the conditions of artistic effect , and ...
Seite 2
... first actual facts ' that concern us are the earliest manifestations of art , and if we could find these , we should find also the first ' law of artistic production . ' The primal effort of the rudimentary artist would already furnish ...
... first actual facts ' that concern us are the earliest manifestations of art , and if we could find these , we should find also the first ' law of artistic production . ' The primal effort of the rudimentary artist would already furnish ...
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Häufige Begriffe und Wortgruppen
aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole