The Fine ArtsC. Scribner's Sons, 1906 - 321 Seiten |
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Seite xi
... Figures- 124. Such Beauty is not an absolute quality —- 125 . Formal Beauty of Composition , in Architecture - 126 . and Sculpture - 127 . and Painting - 128 . How far is Pictorial Composition amenable to Formal Laws ? Pages 177-207 ...
... Figures- 124. Such Beauty is not an absolute quality —- 125 . Formal Beauty of Composition , in Architecture - 126 . and Sculpture - 127 . and Painting - 128 . How far is Pictorial Composition amenable to Formal Laws ? Pages 177-207 ...
Seite 11
... figures , lights , shades and masses are , as it were , the char- acters . If the eye is offended ; if it is asked to regard spectacles violating the laws of its sensibility , if the intelli- gence can find no common measure for the ...
... figures , lights , shades and masses are , as it were , the char- acters . If the eye is offended ; if it is asked to regard spectacles violating the laws of its sensibility , if the intelli- gence can find no common measure for the ...
Seite 13
... figure will have its full opportunity of display . For rhythm ' in the sense in which it applies to the dance is not mere regularity , as of successive steps in the walk or the run where we have simple repetition of a single element ...
... figure will have its full opportunity of display . For rhythm ' in the sense in which it applies to the dance is not mere regularity , as of successive steps in the walk or the run where we have simple repetition of a single element ...
Seite 29
... figures , of immense open courts ( A ) surrounded with colonnades , of pillared halls ( B ) vast enough in plan to take in a northern Cathedral , and of various chambers of a more secret and secluded aspect . These were all arranged on ...
... figures , of immense open courts ( A ) surrounded with colonnades , of pillared halls ( B ) vast enough in plan to take in a northern Cathedral , and of various chambers of a more secret and secluded aspect . These were all arranged on ...
Seite 43
... figure is really only a survival of a famous old Greek dance , as old as Homer and described by Lucian under the title of the Chain ( opμos ) . In the ' Shield of Achilles ' episode in the Iliad 2 occurs the well- known description of ...
... figure is really only a survival of a famous old Greek dance , as old as Homer and described by Lucian under the title of the Chain ( opμos ) . In the ' Shield of Achilles ' episode in the Iliad 2 occurs the well- known description of ...
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aerial perspective æsthetic Alfred Stevens ancient appear arch architect architrave arts of form breadth bronze building century CHAP character classical composition construction contours contrast conventions Correggio curved dance decorative delight delineation Discobolus Doric drapery Egyptian elements essential example façade feeling festal festival figures Florence Florentine formal beauty forms of art fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter medieval ment metopes modern monumental moulded objects painter painting Parthenon partly perspective Pheidias physiological pictorial picture pigment plastic play pleasure practice produced qualities recognised relation relief Rembrandt representation represented retina round Saltatione scenes sculpture shape significant Sir Charles Eastlake stone structure style surface temple texture theory theory of colour Theseus thing tints tion tone and colour treatment triglyphs unity Vasari wall whole