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Henry Irving; a Record of Twenty Years at the Lyceum
Percy Hetherington Fitzgerald
Keine Leseprobe verfügbar - 2012
actor admirable appeared arrangement artist attraction audience become brought called carried character Charles close comedy course critics directed dramatic dresses effect efforts engagement English excellent excited exhibited expression extraordinary eyes face familiar fancy fashion feeling felt figure followed French furnished gave gifts give given grace Henry important impression interest Irving Irving's kind Lady later leading light lines London look Lyceum manager manners marked mind Miss natural never night offered once opening original passed performance perhaps persons piece play player position prepared present principle produced ready recall received remarkable revival scene scenery season seemed seen sort speech stage story success suggested suited supply taken taste Terry theatre thing thought tone took touch whole young
Seite 307 - For honour travels in a strait so narrow, Where one but goes abreast : keep then the path ; For emulation hath a thousand sons That one by one pursue: if you give way, C'843 Or hedge aside from the direct forthright, Like to an enter'd...
Seite 154 - No hammer fell, no ponderous axes rung : Like some tall palm the mystic fabric sprung.
Seite 252 - Warring within our breasts for regiment, Doth teach us all to have aspiring minds : Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Will us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.
Seite 94 - A merrier man, Within the limits of becoming mirth, I never spent an hour's talk withal. His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest...
Seite 307 - For honour travels in a strait so narrow, W'here one but goes abreast: keep then the path; For emulation hath a thousand sons, That one by one pursue: If you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by, And leave you hindmost...
Seite 13 - ... first, that every sentence expresses a new thought, and, therefore, frequently demands a change of intonation ; secondly, that the thought precedes the word. Of course, there are passages in which thought and language are borne along by the streams of emotion and completely intermingled.
Seite iii - As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Seite 40 - Lass,' and on his return home had said : " But there was a young fellow in the play who sits at the table and is bullied by Sam Emery ; his name is Henry Irving, and if that young man does not one day come out as a great actor, I know nothing of art.
Seite 267 - Ellen Terry is an enigma. Her eyes are pale, her nose rather long, her mouth, nothing particular. Complexion a delicate brick dust, her hair rather like tow. Yet somehow she is beautiful Her expression kills any pretty face you see beside her. Her figure is lean and bony, her hand masculine in size and form. Yet she is a pattern of fawnlike grace, whether in movement or repose. Grace pervades the hussy.