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Seite 38
[ In ] my letter on Portia , I said that I never could leave my characters when the scene closed in upon them , but always dreamed them over in my mind until the end . So it was with Imogen . Her sufferings are over .
[ In ] my letter on Portia , I said that I never could leave my characters when the scene closed in upon them , but always dreamed them over in my mind until the end . So it was with Imogen . Her sufferings are over .
Seite 323
Antonio's undefined sadness is an extremely uncharacteristic comic obstruction , never explained and never resolved . Because it precedes the bond , it cannot be removed by Shylock's defeat . In fact , it seems intensified at the end of ...
Antonio's undefined sadness is an extremely uncharacteristic comic obstruction , never explained and never resolved . Because it precedes the bond , it cannot be removed by Shylock's defeat . In fact , it seems intensified at the end of ...
Seite 437
211-13 ) Iago's powers of dissimulation and of self - control must have been prodigious : for he was not a youth , like Edmund [ in King Lear ] , but had worn [ his hypocritical ] mask for years , and he had apparently never enjoyed ...
211-13 ) Iago's powers of dissimulation and of self - control must have been prodigious : for he was not a youth , like Edmund [ in King Lear ] , but had worn [ his hypocritical ] mask for years , and he had apparently never enjoyed ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |