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Seite 354
Should it not have disturbed critics interested in hypostatizing meaning that no two critics of any play really agree with one another in their formulations , that no two performances reflect identical interpretations or produce uniform ...
Should it not have disturbed critics interested in hypostatizing meaning that no two critics of any play really agree with one another in their formulations , that no two performances reflect identical interpretations or produce uniform ...
Seite 355
We need to find concepts other than meaning to account for the end of a play , the sense of unverbalizable coherence , lucidity , and unity that makes us know we have been through a single , significant , and shared experience .
We need to find concepts other than meaning to account for the end of a play , the sense of unverbalizable coherence , lucidity , and unity that makes us know we have been through a single , significant , and shared experience .
Seite 356
by the search for meaning in The Merchant of Venice , this conviction that the world makes sense but that the sense once abstracted no longer fits it . The attempt to state the meaning of the play is therefore not much more likely to ...
by the search for meaning in The Merchant of Venice , this conviction that the world makes sense but that the sense once abstracted no longer fits it . The attempt to state the meaning of the play is therefore not much more likely to ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |