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Seite 270
Shakespeare wanted to present a Jewish figure as he and his contemporaries saw it , but the character grew beyond human measure into the realm of the mythical , as if the God of the Jews stood behind the stage .
Shakespeare wanted to present a Jewish figure as he and his contemporaries saw it , but the character grew beyond human measure into the realm of the mythical , as if the God of the Jews stood behind the stage .
Seite 358
It seems almost as though Bassanio's rejection of the token that makes him one with Portia causes , in addition to the break with her , a secondary fission , enabling the figure of the lawyer to assume a shadowy life of his own .
It seems almost as though Bassanio's rejection of the token that makes him one with Portia causes , in addition to the break with her , a secondary fission , enabling the figure of the lawyer to assume a shadowy life of his own .
Seite 546
OTHELLO lago to the Machiavellian figure of the Renaissance in his negation of all Christian or metaphysical values - an attitude , the critic states , best exemplified in his perception of love as mere sexual appetite and physical ...
OTHELLO lago to the Machiavellian figure of the Renaissance in his negation of all Christian or metaphysical values - an attitude , the critic states , best exemplified in his perception of love as mere sexual appetite and physical ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |